As time went on Philip's deformity ceased to interest. It was accepted like one boy's red hair and another's unreasonable corpulence. But meanwhile he had grown horribly sensitive. He never ran if he could help it, because he knew it made his limp more conspicuous, and he adopted a peculiar walk. He stood still as much as he could, with his club-foot behind the other, so that it should not attract notice, and he was constantly on the look out for any reference to it. Because he could not join in the games which other boys played, their life remained strange to him; he only interested himself from the outside in their doings; and it seemed to him that there was a barrier between them and him. Sometimes they seemed to think that it was his fault if he could not play football, and he was unable to make them understand. He was left a good deal to himself. He had been inclined to talkativeness, but gradually he became silent. He began to think of the difference between himself and others.
The biggest boy in his dormitory, Singer, took a dislike to him, and Philip, small for his age, had to put up with a good deal of hard treatment. About half-way through the term a mania ran through the school for a game called Nibs. It was a game for two, played on a table or a form with steel pens. You had to push your nib with the finger-nail so as to get the point of it over your opponent's, while he manoeuvred to prevent this and to get the point of his nib over the back of yours; when this result was achieved you breathed on the ball of your thumb, pressed it hard on the two nibs, and if you were able then to lift them without dropping either, both nibs became yours. Soon nothing was seen but boys playing this game, and the more skilful acquired vast stores of nibs. But in a little while Mr. Watson made up his mind that it was a form of gambling, forbade the game, and confiscated all the nibs in the boys' possession. Philip had been very adroit, and it was with a heavy heart that he gave up his winning; but his fingers itched to play still, and a few days later, on his way to the football field, he went into a shop and bought a pennyworth of J pens. He carried them loose in his pocket and enjoyed feeling them. Presently Singer found out that he had them. Singer had given up his nibs too, but he had kept back a very large one, called a Jumbo, which was almost unconquerable, and he could not resist the opportunity of getting Philip's Js out of him. Though Philip knew that he was at a disadvantage with his small nibs, he had an adventurous disposition and was willing to take the risk; besides, he was aware that Singer would not allow him to refuse. He had not played for a week and sat down to the game now with a thrill of excitement. He lost two of his small nibs quickly, and Singer was jubilant, but the third time by some chance the Jumbo slipped round and Philip was able to push his J across it. He crowed with triumph. At that moment Mr. Watson came in.
"What are you doing?" he asked.
He looked from Singer to Philip, but neither answered.
"Don't you know that I've forbidden you to play that idiotic game?"
Philip's heart beat fast. He knew what was coming and was dreadfully frightened, but in his fright there was a certain exultation. He had never been swished. Of course it would hurt, but it was something to boast about afterwards.
"Come into my study."
The headmaster turned, and they followed him side by side Singer whispered to Philip:
"We're in for it."
Mr. Watson pointed to Singer.
"Bend over," he said.
Philip, very white, saw the boy quiver at each stroke, and after the third he heard him cry out. Three more followed.
"That'll do. Get up."
Singer stood up. The tears were streaming down his face. Philip stepped forward. Mr. Watson looked at him for a moment.
"I'm not going to cane you. You're a new boy. And I can't hit a cripple. Go away, both of you, and don't be naughty again."
When they got back into the school-room a group of boys, who had learned in some mysterious way what was happening, were waiting for them. They set upon Singer at once with eager questions. Singer faced them, his face red with the pain and marks of tears still on his cheeks. He pointed with his head at Philip, who was standing a little behind him.
"He got off because he's a cripple," he said angrily.
Philip stood silent and flushed. He felt that they looked at him with contempt.
"How many did you get?" one boy asked Singer.
But he did not answer. He was angry because he had been hurt
"Don't ask me to play Nibs with you again," he said to Philip. "It's jolly nice for you. You don't risk anything."
"I didn't ask you."
"Didn't you!"
He quickly put out his foot and tripped Philip up. Philip was always rather unsteady on his feet, and he fell heavily to the ground.
"Cripple," said Singer.
For the rest of the term he tormented Philip cruelly, and, though Philip tried to keep out of his way, the school was so small that it was impossible; he tried being friendly and jolly with him; he abased himself, so far as to buy him a knife; but though Singer took the knife he was not placated. Once or twice, driven beyond endurance, he hit and kicked the bigger boy, but Singer was so much stronger that Philip was helpless, and he was always forced after more or less torture to beg his pardon. It was that which rankled with Philip: he could not bear the humiliation of apologies, which were wrung from him by pain greater than he could bear. And what made it worse was that there seemed no end to his wretchedness; Singer was only eleven and would not go to the upper school till he was thirteen. Philip realised that he must live two years with a tormentor from whom there was no escape. He was only happy while he was working and when he got into bed. And often there recurred to him then that queer feeling that his life with all its misery was nothing but a dream, and that he would awake in the morning in his own little bed in London.
XIII
Two years passed, and Philip was nearly twelve. He was in the first form, within two or three places of the top, and after Christmas when several boys would be leaving for the senior school he would be head boy. He had already quite a collection of prizes, worthless books on bad paper, but in gorgeous bindings decorated with the arms of the school: his position had freed him from bullying, and he was not unhappy. His fellows forgave him his success because of his deformity.
"After all, it's jolly easy for him to get prizes," they said, "there's nothing he CAN do but swat."
He had lost his early terror of Mr. Watson. He had grown used to the loud voice, and when the headmaster's heavy hand was laid on his shoulder Philip discerned vaguely the intention of a caress. He had the good memory which is more useful for scholastic achievements than mental power, and he knew Mr. Watson expected him to leave the preparatory school with a scholarship.
But he had grown very self-conscious. The new-born child does not realise that his body is more a part of himself than surrounding objects, and will play with his toes without any feeling that they belong to him more than the rattle by his side; and it is only by degrees, through pain, that he understands the fact of the body. And experiences of the same kind are necessary for the individual to become conscious of himself; but here there is the difference that, although everyone becomes equally conscious of his body as a separate and complete organism, everyone does not become equally conscious of himself as a complete and separate personality. The feeling of apartness from others comes to most with puberty, but it is not always developed to such a degree as to make the difference between the individual and his fellows noticeable to the individual. It is such as he, as little conscious of himself as the bee in a hive, who are the lucky in life, for they have the best chance of happiness: their activities are shared by all, and their pleasures are only pleasures because they are enjoyed in common; you will see them on Whit-Monday dancing on Hampstead Heath, shouting at a football match, or from club windows in Pall Mall cheering a royal procession. It is because of them that man has been called a social animal.
Philip passed from the innocence of childhood to bitter consciousness of himself by the ridicule which his club-foot had excited. The circumstances of his case were so peculiar that he could not apply to them the ready-made rules which acted well enough in ordinary affairs, and he was forced to think for himself. The many books he had read filled his mind with ideas which, because he only half understood them, gave more scope to his imagination. Beneath his painful shyness something was growing up within him, and obscurely he realised his personality. But at times it gave him odd surprises; he did things, he knew not why, and afterwards when he thought of them found himself all at sea.
There was a boy called Luard between whom and Philip a friendship had arisen, and one day, when they were playing together in the school-room, Luard began to perform some trick with an ebony pen-holder of Philip's.
"Don't play the giddy ox," said Philip. "You'll only break it."
"I shan't."
But no sooner were the words out of the boy's mouth than the pen-holder snapped in two. Luard looked at Philip with dismay.
"Oh, I say, I'm awfully sorry."
The tears rolled down Philip's cheeks, but he did not answer.
"I say, what's the matter?" said Luard, with surprise. "I'll get you another one exactly the same."
"It's not about the pen-holder I care," said Philip, in a trembling voice, "only it was given me by my mater, just before she died."
"I say, I'm awfully sorry, Carey."
"It doesn't matter. It wasn't your fault."
Philip took the two pieces of the pen-holder and looked at them. He tried to restrain his sobs. He felt utterly miserable. And yet he could not tell why, for he knew quite well that he had bought the pen-holder during his last holidays at Blackstable for one and twopence. He did not know in the least what had made him invent that pathetic story, but he was quite as unhappy as though it had been true. The pious atmosphere of the vicarage and the religious tone of the school had made Philip's conscience very sensitive; he absorbed insensibly the feeling about him that the Tempter was ever on the watch to gain his immortal soul; and though he was not more truthful than most boys he never told a lie without suffering from remorse. When he thought over this incident he was very much distressed, and made up his mind that he must go to Luard and tell him that the story was an invention. Though he dreaded humiliation more than anything in the world, he hugged himself for two or three days at the thought of the agonising joy of humiliating himself to the Glory of God. But he never got any further. He satisfied his conscience by the more comfortable method of expressing his repentance only to the Almighty. But he could not understand why he should have been so genuinely affected by the story he was making up. The tears that flowed down his grubby cheeks were real tears. Then by some accident of association there occurred to him that scene when Emma had told him of his mother's death, and, though he could not speak for crying, he had insisted on going in to say good-bye to the Misses Watkin so that they might see his grief and pity him.
The biggest boy in his dormitory, Singer, took a dislike to him, and Philip, small for his age, had to put up with a good deal of hard treatment. About half-way through the term a mania ran through the school for a game called Nibs. It was a game for two, played on a table or a form with steel pens. You had to push your nib with the finger-nail so as to get the point of it over your opponent's, while he manoeuvred to prevent this and to get the point of his nib over the back of yours; when this result was achieved you breathed on the ball of your thumb, pressed it hard on the two nibs, and if you were able then to lift them without dropping either, both nibs became yours. Soon nothing was seen but boys playing this game, and the more skilful acquired vast stores of nibs. But in a little while Mr. Watson made up his mind that it was a form of gambling, forbade the game, and confiscated all the nibs in the boys' possession. Philip had been very adroit, and it was with a heavy heart that he gave up his winning; but his fingers itched to play still, and a few days later, on his way to the football field, he went into a shop and bought a pennyworth of J pens. He carried them loose in his pocket and enjoyed feeling them. Presently Singer found out that he had them. Singer had given up his nibs too, but he had kept back a very large one, called a Jumbo, which was almost unconquerable, and he could not resist the opportunity of getting Philip's Js out of him. Though Philip knew that he was at a disadvantage with his small nibs, he had an adventurous disposition and was willing to take the risk; besides, he was aware that Singer would not allow him to refuse. He had not played for a week and sat down to the game now with a thrill of excitement. He lost two of his small nibs quickly, and Singer was jubilant, but the third time by some chance the Jumbo slipped round and Philip was able to push his J across it. He crowed with triumph. At that moment Mr. Watson came in.
"What are you doing?" he asked.
He looked from Singer to Philip, but neither answered.
"Don't you know that I've forbidden you to play that idiotic game?"
Philip's heart beat fast. He knew what was coming and was dreadfully frightened, but in his fright there was a certain exultation. He had never been swished. Of course it would hurt, but it was something to boast about afterwards.
"Come into my study."
The headmaster turned, and they followed him side by side Singer whispered to Philip:
"We're in for it."
Mr. Watson pointed to Singer.
"Bend over," he said.
Philip, very white, saw the boy quiver at each stroke, and after the third he heard him cry out. Three more followed.
"That'll do. Get up."
Singer stood up. The tears were streaming down his face. Philip stepped forward. Mr. Watson looked at him for a moment.
"I'm not going to cane you. You're a new boy. And I can't hit a cripple. Go away, both of you, and don't be naughty again."
When they got back into the school-room a group of boys, who had learned in some mysterious way what was happening, were waiting for them. They set upon Singer at once with eager questions. Singer faced them, his face red with the pain and marks of tears still on his cheeks. He pointed with his head at Philip, who was standing a little behind him.
"He got off because he's a cripple," he said angrily.
Philip stood silent and flushed. He felt that they looked at him with contempt.
"How many did you get?" one boy asked Singer.
But he did not answer. He was angry because he had been hurt
"Don't ask me to play Nibs with you again," he said to Philip. "It's jolly nice for you. You don't risk anything."
"I didn't ask you."
"Didn't you!"
He quickly put out his foot and tripped Philip up. Philip was always rather unsteady on his feet, and he fell heavily to the ground.
"Cripple," said Singer.
For the rest of the term he tormented Philip cruelly, and, though Philip tried to keep out of his way, the school was so small that it was impossible; he tried being friendly and jolly with him; he abased himself, so far as to buy him a knife; but though Singer took the knife he was not placated. Once or twice, driven beyond endurance, he hit and kicked the bigger boy, but Singer was so much stronger that Philip was helpless, and he was always forced after more or less torture to beg his pardon. It was that which rankled with Philip: he could not bear the humiliation of apologies, which were wrung from him by pain greater than he could bear. And what made it worse was that there seemed no end to his wretchedness; Singer was only eleven and would not go to the upper school till he was thirteen. Philip realised that he must live two years with a tormentor from whom there was no escape. He was only happy while he was working and when he got into bed. And often there recurred to him then that queer feeling that his life with all its misery was nothing but a dream, and that he would awake in the morning in his own little bed in London.
XIII
Two years passed, and Philip was nearly twelve. He was in the first form, within two or three places of the top, and after Christmas when several boys would be leaving for the senior school he would be head boy. He had already quite a collection of prizes, worthless books on bad paper, but in gorgeous bindings decorated with the arms of the school: his position had freed him from bullying, and he was not unhappy. His fellows forgave him his success because of his deformity.
"After all, it's jolly easy for him to get prizes," they said, "there's nothing he CAN do but swat."
He had lost his early terror of Mr. Watson. He had grown used to the loud voice, and when the headmaster's heavy hand was laid on his shoulder Philip discerned vaguely the intention of a caress. He had the good memory which is more useful for scholastic achievements than mental power, and he knew Mr. Watson expected him to leave the preparatory school with a scholarship.
But he had grown very self-conscious. The new-born child does not realise that his body is more a part of himself than surrounding objects, and will play with his toes without any feeling that they belong to him more than the rattle by his side; and it is only by degrees, through pain, that he understands the fact of the body. And experiences of the same kind are necessary for the individual to become conscious of himself; but here there is the difference that, although everyone becomes equally conscious of his body as a separate and complete organism, everyone does not become equally conscious of himself as a complete and separate personality. The feeling of apartness from others comes to most with puberty, but it is not always developed to such a degree as to make the difference between the individual and his fellows noticeable to the individual. It is such as he, as little conscious of himself as the bee in a hive, who are the lucky in life, for they have the best chance of happiness: their activities are shared by all, and their pleasures are only pleasures because they are enjoyed in common; you will see them on Whit-Monday dancing on Hampstead Heath, shouting at a football match, or from club windows in Pall Mall cheering a royal procession. It is because of them that man has been called a social animal.
Philip passed from the innocence of childhood to bitter consciousness of himself by the ridicule which his club-foot had excited. The circumstances of his case were so peculiar that he could not apply to them the ready-made rules which acted well enough in ordinary affairs, and he was forced to think for himself. The many books he had read filled his mind with ideas which, because he only half understood them, gave more scope to his imagination. Beneath his painful shyness something was growing up within him, and obscurely he realised his personality. But at times it gave him odd surprises; he did things, he knew not why, and afterwards when he thought of them found himself all at sea.
There was a boy called Luard between whom and Philip a friendship had arisen, and one day, when they were playing together in the school-room, Luard began to perform some trick with an ebony pen-holder of Philip's.
"Don't play the giddy ox," said Philip. "You'll only break it."
"I shan't."
But no sooner were the words out of the boy's mouth than the pen-holder snapped in two. Luard looked at Philip with dismay.
"Oh, I say, I'm awfully sorry."
The tears rolled down Philip's cheeks, but he did not answer.
"I say, what's the matter?" said Luard, with surprise. "I'll get you another one exactly the same."
"It's not about the pen-holder I care," said Philip, in a trembling voice, "only it was given me by my mater, just before she died."
"I say, I'm awfully sorry, Carey."
"It doesn't matter. It wasn't your fault."
Philip took the two pieces of the pen-holder and looked at them. He tried to restrain his sobs. He felt utterly miserable. And yet he could not tell why, for he knew quite well that he had bought the pen-holder during his last holidays at Blackstable for one and twopence. He did not know in the least what had made him invent that pathetic story, but he was quite as unhappy as though it had been true. The pious atmosphere of the vicarage and the religious tone of the school had made Philip's conscience very sensitive; he absorbed insensibly the feeling about him that the Tempter was ever on the watch to gain his immortal soul; and though he was not more truthful than most boys he never told a lie without suffering from remorse. When he thought over this incident he was very much distressed, and made up his mind that he must go to Luard and tell him that the story was an invention. Though he dreaded humiliation more than anything in the world, he hugged himself for two or three days at the thought of the agonising joy of humiliating himself to the Glory of God. But he never got any further. He satisfied his conscience by the more comfortable method of expressing his repentance only to the Almighty. But he could not understand why he should have been so genuinely affected by the story he was making up. The tears that flowed down his grubby cheeks were real tears. Then by some accident of association there occurred to him that scene when Emma had told him of his mother's death, and, though he could not speak for crying, he had insisted on going in to say good-bye to the Misses Watkin so that they might see his grief and pity him.
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